Audio Clip Maker performs audio clip maker as a focused single-page utility. Cut a precise clip from any audio file at the exact start time and duration you choose. Optional fade-in and fade-out for clean edges. Outputs to MP3, WAV, OGG, or M4A. Files are processed entirely in your browser with FFmpeg WebAssembly. Defaults are tuned for the common case so the first run is one click, with every option that matters exposed for the moments you need to fine-tune the result.
Internally the tool runs on standard browser APIs — the same processing stack used by professional desktop pipelines, just compiled for the browser. MP3, WAV, M4A, AAC, OGG, Opus, FLAC, AIFF, and WMA files are accepted natively. 200 MB is the practical ceiling, set so the tool stays responsive on phones and older laptops.
The right moment to reach for Audio Clip Maker is when you have a focused audio editing and conversion job that fits inside a browser tab. Open the page, drop in the file or paste your input, choose the options that matter, and the tool returns the result.
The browser sandbox isolates the page's JavaScript from the rest of the system, the same way it isolates every other tab you have open. Audio Clip Maker works inside that sandbox: it reads the file you give it, processes it with standard browser APIs, and writes the result back. Nothing leaves the page's memory unless you choose to download or copy it.
The architecture imposes only the limits the browser itself imposes. The published 200 MB ceiling is conservative; most modern devices comfortably handle inputs up to that size, and the cap exists so the tool degrades gracefully on phones and budget laptops rather than running out of memory.
As a workflow component, Audio Clip Maker is the part you reach for when a single, well-defined audio editing and conversion step needs to happen. It performs that step and returns a standard file you can carry into the next part of your pipeline.
Audio Clip Maker fits naturally into the workflow of musicians sharing demos and students preparing oral submissions, both of whom typically need a fast result inside the browser. There is no learning curve to budget for: anyone who has used a typical web upload form can complete a run on the first try.
Once the engine finishes, `{name}-edited.{ext}` is offered as an immediate download. There is no preview gate, no email-wall, and no "register to download" intermediary — the file is yours the moment it is ready.
Some notes on the design of Audio Clip Maker. The page is intentionally narrow: one input, the controls relevant to the task, and one output. Adding unrelated features would make the common case slower for the majority of users, so the surface is held to what people actually use.
Audio Clip Maker is one example of a broader pattern: utility software increasingly works as single-page, client-side experiences. Every page in the catalog is shaped that way, which keeps each tool fast to load and easy to recommend in a single link.
A few practical tips that experienced users of Audio Clip Maker pick up over time. First, keep your default browser updated — the engine relies on standard web APIs and newer browser versions are noticeably faster than ones from a few years ago. Second, close other heavy tabs before processing a large input; the engine shares CPU and memory with whatever else is open. Third, if you re-run the same kind of job often, your last-used settings are remembered for the rest of the tab session, so subsequent runs are essentially one click.
Audio Clip Maker is built around the moment of need: a focused page you open when you have a specific task, complete the task, and close. The catalog contains many adjacent tools so the same model serves the surrounding parts of a typical audio editing and conversion workflow.
For most failure modes, refreshing the page and re-running the job is enough — the engine has no persistent state to corrupt. If the same input fails twice in a row, the input itself is most likely the problem (a truncated file, an unexpected variant of the format, or a stream the engine does not recognise).
If Audio Clip Maker solved your problem, sharing the page link with someone who has the same problem is the most useful thing you can do. The catalog grows mostly through word of mouth; visitors arriving through a recommendation tend to be the ones the tool serves best.
Audio Trimmer cuts based on a start and end time and uses lossless stream-copy. This Clip Maker cuts based on start time + duration, adds optional fade-in/fade-out, and re-encodes to your chosen format. Use Trimmer for fast lossless cuts; use Clip Maker when you want polished clips with smooth edges.
When you cut a clip out of a song, the start and end will likely be in the middle of a waveform — chopping them creates an audible click or pop. A fade-in (ramp from silence to full volume) and fade-out smooth those transitions, making the clip sound professional. 100–500ms fades are typical.
Sub-second accurate. We pass `-ss <start>` to FFmpeg, which seeks to the nearest keyframe (typically within 20ms for MP3/AAC) and then advances frame-by-frame to the exact requested second. For lossless formats the accuracy is sample-perfect.
Yes! That's a common use. For Apple ringtones use the dedicated Ringtone Maker tool which exports the proper M4R container. For Android, MP3 output works directly — most Android phones accept any MP3 in the Ringtones folder.
Any length up to the source file's duration, up to a maximum 200MB output. Most clips are short (10–60 seconds) which finishes in seconds. Longer clips take proportionally longer.
MP3 for sharing and ringtones. WAV for further editing in a DAW. M4A for Apple devices. OGG if you want a free, open codec. The tool defaults to MP3 because it works everywhere.
Server-side tools use multi-threaded native FFmpeg running on dedicated CPUs with fast disks and parallel pipelines. Our engine is FFmpeg compiled to WebAssembly, which runs single-threaded inside your browser tab and has no access to native hardware acceleration. That makes browser-based jobs typically 3–8× slower than a server. The trade-off is total privacy: your audio file is never uploaded, never logged, and never stored — closing the tab erases everything from memory immediately. For most clips up to a few minutes the wait is small, and for sensitive recordings (voice memos, drafts, confidential meetings) the privacy gain is well worth it.
No. Everything runs entirely inside your browser tab using FFmpeg compiled to WebAssembly. The file is read into local memory only, processed in the same tab, and the result is offered as a direct download. Nothing is transmitted to any server, no account is required, no analytics are tied to your file, and closing the tab discards every byte from memory.
The file picker accepts audio inputs up to about 1 GB, which is well above what mainstream "free tier" online converters allow. The real ceiling is your device — everything runs inside your browser tab, which shares memory with the rest of the page. Most podcasts, songs, and voice memos sit comfortably under that limit even on a phone. If a very large lossless WAV or FLAC ever fails, trim it first or transcode to MP3 / Opus to bring the size down before re-running the tool.
MP3, WAV, OGG (Vorbis and Opus), FLAC, M4A (AAC), AAC, Opus, AIFF, and WMA all decode reliably via FFmpeg WASM. Output formats depend on the specific tool — most editing tools default to MP3 (universal) or WAV (lossless) but expose a format picker so you can pick the one that fits your downstream player or DAW.
Recent Chrome, Edge, Firefox, Safari, and other Chromium-based browsers all work. The tool relies on WebAssembly and SharedArrayBuffer, which require the page to be served over HTTPS with the right cross-origin headers — this site is configured correctly by default. On phones the same code runs but is slower than on a desktop because mobile CPUs are weaker.
No. The tool is completely free, requires no account, attaches no watermark, applies no usage caps, and shows no popup ads on your output. Because the work happens on your own device, there is no per-user quota for us to enforce — your hardware and browser memory are the only limits. The download is the file you would get from running FFmpeg locally, nothing more, nothing less.
Inputs are capped at 200 MB per file, which keeps memory usage stable across phones, tablets and older laptops. You can run Audio Clip Maker as often as you need; every run produces a full-quality result.
Audio Clip Maker is a browser-only tool by design and does not expose a hosted API. The reason is the same as the privacy story: there is no Favtoo backend doing the work, so there is no service to call. If you need to script the same transformation, the underlying engine (standard browser APIs) is open-source and can be used directly from your own code.
Audio Clip Maker works in any modern browser released in the last few years — Chrome, Edge, Firefox, Safari, Brave, Arc and the major Chromium derivatives are all supported. The underlying engine relies on widely-supported web APIs, so there is nothing exotic to install. If you are on a very old browser version and the tool fails to load, updating to the latest release of your preferred browser is the only fix needed.
Once the page is loaded, Audio Clip Maker can complete jobs without an active internet connection — the engine is bundled with the page, so there is no per-job network call. The initial page load does require a connection (to fetch the static assets), but after that you can disconnect entirely and the tool will still work. This is a side-effect of the local-first architecture, not a deliberate "offline mode" feature.
Audio Clip Maker is built to preserve quality wherever the underlying audio format allows it. Operations that are mathematically lossless (e.g. structural transformations, lossless re-encoding) round-trip with no perceptible change. Operations that involve a lossy codec inevitably introduce small artefacts at the byte level, but the defaults aim at the sweet spot where output looks or sounds the same to a normal viewer or listener while still being meaningfully smaller or faster than the input.
Failures usually fall into one of three buckets: the input is in an unsupported format, the input is over the size cap, or the input is structurally malformed (a truncated download, a partial export, or a stream the engine does not recognise). The first two are easy to confirm — check that your file is one of MP3, WAV, M4A, AAC, OGG, Opus, FLAC, AIFF, and WMA and that it is below 200 MB. For the third, opening the file in its native viewer first is the fastest way to confirm the source is intact.
Audio Clip Maker is built on standard browser APIs, which is the same class of engine used by professional audio editing and conversion pipelines. For deterministic operations, the output is byte-identical to what an equivalent CLI run would produce; for operations involving a codec or a model, the result is well within the range of what comparable tools generate. If you have a specific reference output you need to match, run a small test job first to confirm the configuration produces what you expect.
Audio Recorder
Record from your microphone directly in the browser. Pick quality (high, medium, low), toggle echo cancellation, noise suppression and auto-gain, then save to WebM/Opus or M4A/AAC. Audio is captured locally — nothing is uploaded.
Text to Speech
Type or paste text, pick a system voice, and listen instantly. Adjust speaking rate (0.5×–2×), pitch, and volume in real time. Uses your browser's built-in Web Speech API — no cloud TTS, no API keys, no costs.
Tone Generator
Generate a pure tone at any frequency from 20 Hz to 20 kHz. Pick a sine, square, triangle, or sawtooth waveform, choose duration, amplitude, and mono/stereo. Exports a 16-bit PCM WAV file at 44.1 kHz with built-in click-preventing fades.
Silence Generator
Generate a perfectly silent WAV file of any length from 1 second up to 1 hour. Pick mono or stereo, get a 16-bit PCM WAV at 44.1 kHz. Useful as padding between clips, intro silence, leader audio for video timing, or test material.
White Noise Generator
Generate white, pink, or brown noise as a 16-bit PCM WAV file. Pick noise type, duration up to 1 hour, amplitude, and mono/stereo. Useful for sleep, focus, masking distractions, audio testing, and as a backing layer for ambient music.
Metronome
A precise browser-based metronome powered by the Web Audio API. Set BPM from 30 to 300, choose a time signature, accent the first beat, and use tap-tempo to sync. Click timing is sample-accurate using lookahead scheduling — much steadier than typical JavaScript setInterval beats.
Audio Trimmer
Trim any audio file to a precise start and end time. Outputs a lossless stream-copy by default (no quality loss, very fast) or re-encodes to MP3, WAV, OGG, or M4A. Files are processed entirely in your browser with FFmpeg WebAssembly.
Audio Splitter
Split a long audio file into N equal-length parts and download them as a ZIP. Each part is named sequentially. Great for chapterizing audiobooks, podcasts, or long DJ mixes. Runs entirely in your browser with FFmpeg WebAssembly.